By Erin Free

FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Paul Aaron, who helmed A Different Story, A Force Of One (pictured above), Deadly Force and more. 

The Unsung Auteurs column has certainly featured some little-known, under-appreciated creatives in its continuing run, but this week’s entrant Paul Aaron must be up there with the least high-profile of the bunch. There aren’t even any easily findable photographs of the man online, and standard web searches instead constantly yield ample information about Estonian racing driver Paul Aron and Breaking Bad star Aaron Paul, but practically nothing about this low-key theatre and film director who boasts a very small but interesting on-screen resume.

Paul Aaron was born in Hoosick Falls, New York in 1943 and graduated from Bennington College in 1966. Aaron’s major creative career began in the theatre. After directing a touring production of the stage adaptation of Muriel Spark’s The Prime Of Miss Jean Brodie with Kim Hunter, Aaron was installed as casting and programs director at The Mark Taper Forum, where he founded an actors’ workshop and directed several plays. His revival of S. Ansky’s The Tenth Man, with Hollywood star Richard Dreyfuss, earned him a Los Angeles Drama Critics Circle Award for Best Director in 1977. Aaron’s other stage credits include Peter Link’s off-Broadway rock musical Salvation; Paris Is Out!, with Sam Levene and Molly Picon; the Kander & Ebb musical 70, Girls, 70; and That’s Entertainment.

An original theatrical poster for A Different Story

Paul Aaron made his directorial debut in 1978 with the comedy drama A Different Story, a now largely forgotten and deeply problematic work about a gay man and a lesbian who eventually fall in love. Yes, that’s a major issue, but A Different Story must be afforded a little credit for featuring likeable, non-hetero characters in lead roles at a time when this was rare indeed. Stars Perry King and especially the icy-eyed and magnetic Meg Foster are both great, and though the film is often silly, questionable in its themes, and frequently wrong-headed, A Different Story is a little better than it is now given credit for.

After his oddball gay-themed debut, Paul Aaron took a major left turn with his next film: the 1978 action belter A Force Of One starring Chuck Norris. Proving himself a truly muscular director, Aaron really succeeds with this early Norris entry, in which the hard-kicking martial artist is drafted in by the cops when the members of an elite police unit get killed one by one. Boasting rumbles aplenty, Aaron gets maximum characterisation out of the taut script by Unsung Auteur Ernest Tidyman, and good performances from Norris, Jennifer O’Neill, Clu Gulager and Super Fly himself Ron O’Neal.

An original theatrical poster for A Force Of One

From assisting in the rise of action star Chuck Norris in A Force Of One, Paul Aaron next helped solidify the cult cache of unpredictable talent Wings Hauser, who had made a name for himself as a brutal pimp in the 1982 exploitation classic Vice Squad. That film’s producer Sandy Howard was a big fan of Wings and wanted to turn him into a Charles Bronson-style action superstar, which didn’t quite happen with 1983’s Deadly Force, but the resultant film is an absolute ripper.

As he had on A Force Of One, Paul Aaron orchestrates the violence and carnage on Deadly Force with aplomb. Wings Hauser is unsurprisingly off-the-charts as the wonderfully named Stony Cooper, a tough ex-cop turned private eye on the trail of a vicious serial killer branded The X Murderer due to his unpleasant habit of carving the letter X into his unfortunate victims’ foreheads. Though Deadly Force was a box office disappointment, it has amassed a small cult in the decades since its release, and marks a rare lead for the great Wings Hauser. It’s also further proof of Aaron’s skills as an action director, though he unfortunately called it quits on the genre after this crackerjack entry.

An original theatrical poster for Deadly Force

Though Aaron worked on the screenplay (along with Unsung Auteur Leigh Chapman) for the superior 1980 Chuck Norris actioner The Octagon, he next took on a more theatrical film in the form of 1985’s Maxie, a fun supernatural tale in which the ghost of a 1920s good-time-girl possesses the uptight housewife who moves into her house. Featuring bravura, full-bodied work from Glenn Close, Mandy Patinkin, Ruth Gordon, Barnard Hughes and Valerie Curtin, Maxie is an endearing but now almost completely forgotten 1980s curio that deserves far more praise than its current and practically non-existent status.

Maxie represents Paul Aaron’s last real big screen credit. He took the Alan J. Smithee option on the amiable 1987 teen comedy Morgan Stewart’s Coming Home (he replaced original director Terry Winsor four weeks into the shoot), and then worked exclusively in television. Alongside his small collection of feature films, Aaron also directed a clutch of telemovies, the best of which is unquestionably 1979’s excellent The Miracle Worker starring Patty Duke as devoted teacher Anne Sullivan and Little House On The Prairie star Melissa Gilbert as her deaf and blind student Helen Keller. In a nice piece of stunt casting, Patty Duke had played the Helen Keller character opposite Anne Bancroft in Arthur Penn’s classic 1962 version of the true-life story.

An original theatrical poster for Maxie

Now 83 and obviously retired, Paul Aaron deserves more credit for his role in helping to establish the careers of Chuck Norris and Wings Hauser, and also for his skills in the action genre. And though he never worked with him, Paul Aaron also deserves credit for helping to establish the career of another high-profile action man: Keanu Reeves. In 1970, Aaron married the future superstar’s mother, Patricia Taylor, and the family moved to Toronto, Canada. The marriage was short-lived, but Aaron remained active in young Keanu’s life, encouraging his acting aspirations and even connecting him with a manager in the very early stages of what would become a very impressive career.

Paul Aaron, we thank you…for everything.

If you liked this story, check out our features on other unsung auteurs Savage Steve Holland, Rudy WurlitzerKeith GordonAlan MetterLynne LittmanChuck RussellJohn DerekDon ChaffeyHarley CokelissJeannot SzwarcCraig GillespieDavid GreeneErnest PintoffPaul WilliamsJo HeimsLee H. KatzinChristoper CainKen WiederhornBarbara LodenDavid MackenzieAlan RudolphJames Lee BarrettEdwin “Bud” ShrakeJoan Tewkesbury, Jamaa FanakaJack Starrett, Joseph SargentJeffrey SchwarzGeorge SidneyPhilip DunneZak HilditchLuke SparkeCyrus NowrastehMorgan MatthewsTom LaughlinDiane KeatonEd HuntNancy SavocaRobert Vincent O’NeilMarvin J. ChomskySam FirstenbergJack Sholder, Richard GrayGiuseppe AndrewsGus TrikonisGreydon ClarkFrances DoelGordon DouglasBilly FineCraig R. BaxleyHarvey BernhardBert I. GordonJames FargoJeremy KaganRobby BensonRobert HiltzikJohn Carl BuechlerRick CarterPaul DehnBob KelljanKevin ConnorRalph NelsonWilliam A. GrahamJudith RascoeMichael PressmanPeter CarterLeo V. GordonDalene YoungGary NelsonFred WaltonJames FrawleyPete DocterMax Baer Jr.James ClavellRonald F. MaxwellFrank D. GilroyJohn HoughDick RichardsWilliam GirdlerRayland JensenRichard T. HeffronChristopher JonesEarl OwensbyJames BridgesJeff KanewRobert Butler, Leigh ChapmanJoe CampJohn Patrick ShanleyWilliam Peter BlattyPeter CliftonPeter R. HuntShaun GrantJames B. HarrisGerald WilsonPatricia BirchBuzz KulikKris KristoffersonRick RosenthalKirsten Smith & Karen McCullahJerrold FreemanWilliam DearAnthony HarveyDouglas HickoxKaren ArthurLarry PeerceTony GoldwynBrian G. HuttonShelley DuvallRobert TowneDavid GilerWilliam D. WittliffTom DeSimoneUlu GrosbardDenis SandersDaryl DukeJack McCoyJames William GuercioJames GoldstoneDaniel NettheimGoran StolevskiJared & Jerusha HessWilliam RichertMichael JenkinsRobert M. YoungRobert ThomGraeme CliffordFrank HowsonOliver HermanusJennings LangMatthew SavilleSophie HydeJohn CurranJesse PeretzAnthony HayesStuart BlumbergStewart CopelandHarriet Frank Jr & Irving RavetchAngelo PizzoJohn & Joyce CorringtonRobert DillonIrene KampAlbert MaltzNancy DowdBarry Michael CooperGladys HillWalon GreenEleanor BergsteinWilliam W. NortonHelen ChildressBill LancasterLucinda CoxonErnest TidymanShauna CrossTroy Kennedy MartinKelly MarcelAlan SharpLeslie DixonJeremy PodeswaFerd & Beverly SebastianAnthony PageJulie GavrasTed PostSarah JacobsonAnton CorbijnGillian Robespierre, Brandon CronenbergLaszlo Nemes, Ayelat MenahemiIvan TorsAmanda King & Fabio CavadiniCathy HenkelColin HigginsPaul McGuiganRose BoschDan GilroyTanya WexlerClio BarnardRobert AldrichMaya ForbesSteven KastrissiosTalya LavieMichael RoweRebecca CremonaStephen HopkinsTony BillSarah GavronMartin DavidsonFran Rubel Kuzui, Elliot SilversteinLiz GarbusVictor FlemingBarbara PeetersRobert BentonLynn SheltonTom GriesRanda HainesLeslie H. MartinsonNancy Kelly, Paul NewmanBrett HaleyLynne Ramsay, Vernon ZimmermanLisa CholodenkoRobert GreenwaldPhyllida LloydMilton KatselasKaryn KusamaSeijun SuzukiAlbert PyunCherie NowlanSteve BinderJack CardiffAnne Fletcher ,Bobcat GoldthwaitDonna DeitchFrank PiersonAnn TurnerJerry SchatzbergAntonia BirdJack SmightMarielle HellerJames GlickenhausEuzhan PalcyBill L. NortonLarysa KondrackiMel StuartNanette BursteinGeorge ArmitageMary LambertJames FoleyLewis John CarlinoDebra GranikTaylor SheridanLaurie CollyerJay RoachBarbara KoppleJohn D. HancockSara ColangeloMichael Lindsay-HoggJoyce ChopraMike NewellGina Prince-BythewoodJohn Lee HancockAllison AndersDaniel Petrie Sr.Katt SheaFrank PerryAmy Holden JonesStuart RosenbergPenelope SpheerisCharles B. PierceTamra DavisNorman TaurogJennifer LeePaul WendkosMarisa SilverJohn MackenzieIda LupinoJohn V. SotoMartha Coolidge, Peter HyamsTim Hunter, Stephanie RothmanBetty ThomasJohn FlynnLizzie BordenLionel JeffriesLexi AlexanderAlkinos TsilimidosStewart RaffillLamont JohnsonMaggie Greenwald and Tamara Jenkins.

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