Fearless discussion, community and hope resonated at the inaugural + Screen Stories Symposium last Thursday at Arc Cinema at the National Film and Sound Archive in Canberra. Supported by the
The Rock and Chris Evans kicked off the silly season at #1, even if Red One will surely disappear down the charts after this week (hola Gladiator II). Outside of
Robert Zemeckis' high concept new drama Here barely registered on its opening weekend, despite the starry cast, scraping in a few more dollars than the 15th anniversary of Coraline, which
Who remembers what the US did to Rake? Well, here's another distinctly Australian show created by Kirsty Fisher and Marieke Hardy and airing for 2 seasons back in 2011-2012, adapted
A strong opening for what some believe is the best entry in the Venom franchise, allegedly the last in the series. Meanwhile, another third entry in a series, Terrifier 3
It's exciting to see Pedro Almodovar making films in English and not losing what makes his Spanish language films so special. Following the short Western Strange Way of Life starring
So, how did creative powerhouse duo Vanessa Marian and Stefan Hunt craft this profound portrait of Aussie masculinity through dance? Yeah the Boys is choreographed by Vanessa Marian and directed
The sequel to surprise 2022 hit Smile cheered up cinemas this weekend after the disappointment of the Joker sequel, while Terrifier 3 expanded by 40 screens and Adam Elliot's much-anticipated
At an age when most children are just beginning to dive into their first chapter books, six-year-old Alexis Truong is already making history in the cinematic world. Her debut short
Osgood Perkins (Longlegs) directs and adapts Stephen King's short story, produced by James Wan. Scary monkey.
Well, Joker: Folie à Deux's reign at the top didn't last long, despite the film costing more than 3 times the original to make ... whilst The Wild Robot continues
With SF3: SmartFone FlickFest around the corner, this is a great reminder of the standard of films being shot on smartphones. Co-Directed by Laura Brogan Browne and Jonathan Lagudi, who
Shot on location in Newcastle, Wollombi and Lovedale, the feature directorial debut from Tristram Baumber and Allan Brady, Site Unseen, has wrapped principal photography, and is aiming to release in
Jaydon Martin’s debut also wins significant award at the prestigious, progressive film festival.
A James Mangold biopic crossover as Bob Dylan (Timothee Chalamet) meets Johnny Cash (Boyd Holbrook).
Boy Swallows Universe vibes in this feature film adaptation by Megan Washington (who also writes and performs songs) and Nick Waterman (who directs) of Paul Kelly's iconic Christmas anthem, starring
Joker 2 opened wide and respectably, as would be expected from the sequel to a massive hit, however, the reviews haven't been kind, so it will be interesting to see
So, whose idea was this? Shot in Melbourne, Australian director Michael Gracey follows up his successful debut with The Greatest Showman, with this long in the works musical biopic of
Written by Lou Sanz and directed by Natalie Bailey (The Thick of It), this looks like an Australian comedy done right, finally, with star Jackie van Beek playing a has-been