Reviews

Absolutely worth a watch on the biggest screen you can find, but not quite the genre-busting triumph you might have hoped for.

… a great cast, good characters, slick direction and a terminal script.

… it’s not just an exercise in courage; it’s terrific and powerful …

… not only a story about vengeance and recognition, but a piercing reflection on collective trauma and moral paralysis in a society broken by fear.

A powerful underdog story of ambition, culture and resilience, Tenor: My Name is Pati follows Samoan brothers from church choirs to standing ovations in the world’s greatest opera houses.

… a highly entertaining and sometimes emotional ride …

… a sharply observed satire about proximity and privilege.

… a fast-paced, rip-roaring nautical adventure with slick combat, a solid story and more booty than a Cardi B film clip.

... a rattling good yarn ...

… a work of remarkable emotional precision — understated, unresolved, and difficult to shake off.

… an Akira-sliding good time.

… a powerful, fascinating film that hits you in the guts.

… a strong example of contemporary Eastern European cinema at its best — a film that transforms post-socialist realities, economic inequality, corruption and historical trauma into a deeply human story.

… underrated, steamy slice of neo noir goodness.

As a mild switch-up to the original, it’s enjoyable enough …

… a leaden, dull and frequently miserable slog of a film that tries to hide its tedium amidst unmotivated camera tricks, copious gore and loud noises.

… demanding in its form and heavy in its subject, but its ambition and sincerity make it a significant contribution to contemporary documentary cinema.

Brimming with style, attitude and chutzpah, Saccharine is a meal that overwhelms as much as it engages …

Imperfect and perhaps a little thematically dated, The Boys From Brazil is nonetheless a tense, engaging, sardonically amusing and intentionally ambiguous look at the hunt for absolute evil and its

Like a warm hug from an overly familiar uncle, I See Buildings is not always elegant, but its heart is firmly – joyously – right where it ought to be.