7.2
The Odyssey
Absolutely worth a watch on the biggest screen you can find, but not quite the genre-busting triumph you might have hoped for.
… a great cast, good characters, slick direction and a terminal script.
Reviews
Absolutely worth a watch on the biggest screen you can find, but not quite the genre-busting triumph you might have hoped for.
… a great cast, good characters, slick direction and a terminal script.
… it’s not just an exercise in courage; it’s terrific and powerful …
… not only a story about vengeance and recognition, but a piercing reflection on collective trauma and moral paralysis in a society broken by fear.
Load More
View the Latest Releases
Post Tags
Travis Johnson
Dov Kornits
Anthony O'Connor
Cain Noble-Davies
Stephen Vagg
Gill Pringle
sequel
LGBTQI
book adaptation
Julian Wood
music
Annette Basile
franchise
John Noonan
Australian
feature debut
Lisa Nystrom
horror
James Mottram
Nadine Whitney
Netflix
Erin Free
True Story
Melbourne International Film Festival
Anthony Frajman
French
Abhi Parasher
Revelation Perth International Film Festival
Cannes Film Festival
Sydney Film Festival
sports
thriller
Grant Watson
British
biopic
Indigenous
Mark Demetrius
Disney
first nations
British Film
Oscars
Helen Barlow
Melbourne
Marvel
Science fiction
ABC
romantic comedy
Western Australia
Sundance
New Zealand
Impact Documentary
Japan
anime
Christine Westwood
Forgotten Australian Films
documentary
comedy
A24
Independent Film
Mardi Gras Film Festival
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Don Chaffey, who helmed Jason And The Argonauts, One Million Years
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1981 “urban panic” drama We’re Fighting Back, starring Kevin Mahon,
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Christopher Nolan’s highly praised 2010 sci-fi epic Inception,
Co-writer/producer Fiona Bergin and co-writer/director Fintan Connolly recharge the private eye genre with their compelling Dublin-set thriller Barber starring Aidan Gillen. “I came out of a multimedia course and started
There is a particular kind of fatigue that settles over a filmmaker once his signature has been noticed too many times, and Jafar Panahi, joining a press conference for It
Online continues to grow across different regions as digital access, changing consumer habits, and technological progress reshape the entertainment sector. More people now use internet-based platforms for leisure activities because
Load More
Giveaways
The Birthday Trip…you’re invited! Thanks to Badlands, we have 10 double passes to give away to The Birthday Trip, a film written and directed by James Robert Woods, opening in
Welcome to the summer of 1986! A beach house girls night turns savage in this cracking Aussie horror flick… Penny Lane Is Dead is the rip-roaring debut feature from writer-director
Hana, a lovelorn medical student, becomes terrorised by a hungry ghost after taking part in an obscure weight-loss craze: eating human ashes. From writer/director Natalie Erika James (Relic, Apartment 7A)
Evil Dead Burn unleashes the franchise’s most savage and terrifying ride to date, blazing onto big screens with an all-new chapter of carnage and demonic mayhem. After the loss of




















































