From black-and-white austerity to shifting visual languages, the cinematographer reflects on working with François Ozon and the freedom of moving between styles.
7.5
What lingers most is not the political backdrop or even the narrative itself, but the texture of memory: the heat of the city, the noise of the streets, the quiet
Director Julia Loktev discusses her documentary My Undesirable Friends: Last Air in Moscow (Part 1), reflecting on her return to Russia, the decision to film on an iPhone, and her
9.2
… quite literally the old, familiar Jarmusch that audiences remember from the 1990s.
Gianfranco Rosi and Daniel Blumberg on the Sound and Silence of Pompeii: Below the Clouds
8.2
What makes Beautiful and Neat Room truly delightful is its sharp wit and understated humour. The film is full of clever, observational comedy that never feels forced, capturing the absurdities
Paolo Sorrentino speaks about euthanasia, political responsibility, generational dialogue, music, and his continued collaboration with Toni Servillo. What emerges is a portrait of a filmmaker deeply preoccupied with moral dilemmas
5
… spectacle without substance: a film that gestures toward scandal and intensity but offers little emotional resonance or intellectual insight in return.
6.8
… a stylised masquerade that invites the viewer to surrender to its strange, campy logic.
9
… a profound reflection on memory, self-representation, and the violence of being interpreted by others.