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… twisted and compelling …
Born into a class of Austro-Hungarian autocrats and hailing from British rock royalty of the ‘60s, in a new documentary, Broken English, singer–songwriter-actress Marianne Faithfull offers a nuanced verdict about
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… a strong and sharply comedic debut that plumbs the depths of suburban malevolence for its absurd potential to a fantastic degree.
It’s midway through the 2026 Cannes Film Festival when FilmInk meets Japanese filmmaker Hirokazu Kore-eda. The festival has been good to him in the past; he won the Jury prize
After quietly freaking out brave audiences with 2024’s A Grand Mockery (which premiered at Sitges to everyone's surprise), idiosyncratic Aussie writer/director Adam C. Briggs returns with another transgressive eye-opener in
“I’m not naturally a singer or musician,” says Rami Malek. “Truly, I’m not a musical person, so it takes a hell of a lot of work.” This may come as
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… despite all its strengths, the film leaves a slightly familiar aftertaste.
Radelaide's own, 21-year-old filmmaker Alice Maio Mackay's 7th (!!!) feature film stars Sara Thompson as a teen who must get to the bottom of strange occurrences that may have something
Irish filmmaker Gar O’Rourke speaks about documenting life in Italy’s Cinque Terre, where tourism, tradition and preservation exist in constant tension.
Who would have known that Gus Van Sant’s dark comedy Dead Man’s Wire, his first film in seven years, would be one of the biggest surprises at the Venice Film