Marty McFly and co. returned to our screens on wide release this weekend and delivered one of the better screen averages, even though, you know, you could watch it at
Adelaide's own Daniel J. Phillips follows up the impressive Awoken with this based on a true story frightener that truly escalates after a healing ceremony led by the Fundamentalist Latter-Day
Mamma mia, check out how much indie Aussie doco Signorinella: Little Miss raked in during its festival run, first at MIFF, and then, most significantly, Palace Cinemas' Italian Film Festival.
Hello 2019, we want the box office back! Although topping the charts this weekend, and likely to exceed the $4m that 2021's The Black Phone earnt at the Australian box
The Australian filmmaker delivers the feature length documentary Trade Secret, which is gaining momentum after more than 10 years in the making, resonating with the likes of Adam McKay, Anthony
This week, Dov talks to the director of The Rocky Horror Picture Show, the legendary Jim Sharman.
The dude approves! Or does he?! Tron: Ares opened to relatively soft numbers, $4k screen average on 500+ screens. Box office, in general, was down 35% on last weekend, with
“I started writing it during the early Covid days, but it was not meant to be an allegory for Covid per se,” says When I’m Ready writer, producer and leading
Even though it will turn out to be the highest earner ever for a Paul Thomas Anderson film, One Battle After Another will end up losing money on its investment;
Kudos to Warner Bros for backing something as out of the box as Paul Thomas Anderson's latest, One Battle After Another, and then supporting with a marketing campaign that would