For a long time, documentaries sat just outside the main game. They were respected, occasionally celebrated, but rarely treated as central to how the industry built value. Scripted projects carried
Lewis Khan
Most indie films don’t fail creatively. They fail because they don’t pay. You feel it in rooms now. Projects don’t stall on story or casting. They stall when someone asks
Creators are starting to decide what gets made. Not entirely. Not in every case. But often enough that it’s changing how projects get financed, packaged and picked up. For a
For decades, the film industry has operated around a single moment. The greenlight. A script is developed. Talent is attached. A package is built. Then it goes into a room
Why standalone films are becoming structurally fragile
For most of the modern film era, the financing logic was straightforward. Write the script. Attach a director. Package cast. Raise the money. The audience came later. Distributors would position
Building films that last beyond opening weekend
Most producers talk about marketing as if it begins once the film is locked. It doesn’t. By the time you’re cutting a trailer, you’re no longer shaping demand. You’re trying










