I’m putting together the finance plan for a feature I’m co-producing, Circus of the Dead, and I keep coming back to a line that isn’t on the spreadsheet. The audience.
With award winning short films on her resume, a history in acting on Australian TV, and a feature film directorial debut just around the corner, AFTRS Master of Arts Screen:
A 1943 MGM film with Charles Laughton as an Anzac
Indie producer, writer, innovator Sal Balharrie has launched a new vision and pathway for documentary makers and how to seize global alignments, I See Doco Lab. I See Doco Lab
The microdrama sector continues to spark global debate, as the experimental phase of the format courts a swathe of startups and spinoffs at the same time as many early production
Over the past twelve months, I’ve spent more time talking to private film investors than I have sitting with cinema audiences. That wasn’t intentional. It’s just what happens when you’re
Next month I’ll be pitching a feature film to private investors. It’s a very different room to the ones most Australian producers were trained for. I’ve learned that there’s a
With his debut feature film Brando With A Glass Eye, Greek-born Australian writer/director Antonis Tsonis has crafted a work of rare power and originality driven by the singular passion of
A few days ago, I went to set up a Letterboxd page for Wolf Creek Legacy. Except, someone had already done it. At first, I assumed it had come through
For a long time, documentaries sat just outside the main game. They were respected, occasionally celebrated, but rarely treated as central to how the industry built value. Scripted projects carried