Cannes Film Festival

… not only a story about vengeance and recognition, but a piercing reflection on collective trauma and moral paralysis in a society broken by fear.

… tense, dark, even abject but also mysterious, thought-provoking and occasionally tender.

Linh Dan Nguyen Phan, who turns 30 this year, is the first female director of photography (DOP) to come out of Vietnam. At the Cannes Film Festival this year, she

This year, Cannes critics were largely united in their belief that Andrey Zvyagintsev’s Minotaur and Pawel Pawlikowski’s Fatherland were the best films in the competition. Both films won major prizes,

... a film about an author in crisis — an artist searching for a new form but becoming trapped within his own imagery.

Fatherland is not only about the past. It is a warning about the cyclical nature of history and the dangers of forgetting.

At last year’s Cannes Film Festival, Chilean director Diego Céspedes emerged as one of the most striking debut voices — not only because of the emotional depth of his film

What’s a film? Award-winning Australian filmmakers Isobel Knowles & Van Sowerwine embrace tech-forward filmmaking techniques to tell stories, with their latest VR documentary, The World Came Flooding In recently winning

Before Thursday’s announcement of the 79th official programme, Cannes artistic director Thierry Fremaux had warned that Hollywood studios no longer want to send their tentpole films to the festival. Essentially,

Sometimes cinema can transport you to another time and place so effectively that it’s almost better than travelling. The President’s Cake has this transportive quality.