More than a decade later, the #OscarsSoWhite campaign continues to shape awards outcomes. At the Oscars (Academy of Motion Picture Arts and Sciences) ceremony, host Conan O’Brien remarked that participants
Parasite
South Korea’s cinematic master Park Chan-wook may have had huge success with Oldboy (2003), The Handmaiden (2016) and Decision to Leave (2022), but that doesn’t mean getting his films greenlit
Parasite's maestro Jae-Il Jung discusses collaborating with Bong Joon-Ho and both of their approach to composing. With a slew of credits to his name, Parasite’s Jae-Il Jung is quickly becoming
After volunteering at the festival for a couple of years, Al Cossar joined the staff at the Melbourne International Film Festival in 2011 as a programmer. Growing up in Auckland,
… there are certainly laughs to be had. It’s just a shame that the final product leaves you as exhausted as its lead character.
The acclaimed Japanese director discusses his latest feature, Broker, which won Best Actor at Cannes for Song Kang-ho.
Shin keeps Ji-wan’s existential exploration to a gentle pace, showing neither any rush to get where she needs to or taint her message with overwrought symbolism.








