Back in 1985, a young German filmmaker named Peter Braatz corresponded with director David Lynch (fresh off the ill-fated Dune) during pre-production on his upcoming film Blue Velvet and pitched the legendary artist/filmmaker the idea of documenting his new film’s production on Super 8mm. Lynch was up for it and afforded Braatz total access. What Braatz captured is the minutiae of the day to day filming, short interviews with actors such as Kyle MacLachlan, Lynch-regular Jack Nance, Brad Dourif (“I wouldn’t play this type of role for any other director”), Dennis Hopper, Isabella Rossellini and Laura Dern. Production crew are less forthcoming, though Braatz captures audio of almost everyone discussing aspects of the production; cinematographer Frederick Elmes keeps mostly to himself, even so there’s a considerable amount of Super 8mm and stills from the set documenting (largely in chronological order) the shooting of all the key scenes.
If Blue Velvet was a film that held sway over your brain when you first experienced it and lingers still, then this film is a stream of consciousness resurgence of all the free-form dream logic that Lynch unleashed on us to mess with our brains those thirty odd years ago. Seeing the mundanity of the production that helped create it, is something of a joy to watch. The editing style is fragmented and drifts pleasantly along, audio interviews form a large part of the narration, peppered with short Super 8mm interviews that were captured by Braatz with Lynch, who gives his impressions of how the production is going.
This will absolutely appeal to fans of Lynch and Blue Velvet though the style is not the most accessible. The footage, as it stands, is phenomenally crisp and clear and the feeling of time and place is startling’ that said, it would’ve been great to hear the surviving cast members recall their experiences on the film retrospectively. This is a must see for Lynch fans and for those in the thrall of the ‘mysteries of love’.