6
… a troubled, but still promising, feature debut for its microbudget auteur.
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director Jerrold Freedman, who helmed Kansas City Bomber, Borderline, and Native Son.
A historic and one-off event is happening at the upcoming Sydney Underground Film Festival on Saturday 14th September, 4pm at Dendy Cinemas, Newtown. It’s a program of rare films by
6
… an appealingly nostalgic experience …
MIFF’s Bright Horizons Award Winner is Hybrid Cinema – a Canadian film in love with Persian cinema, which offers a whole new approach to filmmaking diaspora. We need to use
8.5
Co-writers and directors Eric Laplante and Susie Moon have something special here, a good-natured comedic gem with a welcome level of unpredictability thanks to its out-of-the-box storytelling.
8
... moves at a quick pace and does not attempt to dwell too much on any one episode of Gondry’s life, offering us glimpses of his family and work.
The co-writer/director brings the righteous vengeance in Saint Clare. What drew you to Don Roff’s novel Clare at 16? How did the project come about as your follow-up to Braid
3.8
… an extreme gross-out stoner comedy that could have been a whole lot pfunnier…
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director William Dear, who helmed Timerider, Angels In The Outfield, and Harry