FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer/director James Bridges, who helmed The China Syndrome, The Paper Chase
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Jeff Kanew, who helmed Natural Enemies, Revenge Of The Nerds
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Robert Butler, who helmed The Computer Wore Tennis Shoes, Now
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: actress turned screenwriter Leigh Chapman, who penned Dirty Mary Crazy Larry,
Part three of our series on Beach Party movies looks at the year 1965, when the genre peaked and cannibalised itself. One of the problems in exploiting a film “cycle”
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: writer, producer and director Joe Camp, who created the beloved family film
Part two in Stephen Vagg’s series on the Beach Party films, examines 1964’s entries in the franchise – Muscle Beach Party, Bikini Beach, and Pajama Party – plus attempts from
In honour of summertime, Stephen Vagg revisits the movie that spawned the beach party genre, 1963’s Beach Party. I remember when I first heard about the phenomena that was the
We look at the career of one of the most successful British film moguls in history, Ted Black. One doesn’t normally encounter the adjective “successful” before the words “film mogul”
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: screenwriter, novelist and occasional director William Peter Blatty, who did a lot