FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Alan Rudolph, who helmed Choose Me, Welcome To LA, Remember
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: producer and writer James Lee Barrett, who penned Smokey And The
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Brian De Palma’s drug-fuelled extravaganza and cult favourite
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer and director Joan Tewkesbury, who penned Robert Altman’s Nashville and
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: actor and director Jack Starrett (pictured right in The A-Team), who
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Joseph Sargent, who helmed The Taking Of Pelham One Two
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to 1974’s Blazing Saddles, Mel Brooks’ adored western comedy
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director George Sidney, who helmed Viva Las Vegas, Bye Bye Birdie,
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to 1992’s Strictly Ballroom, Baz Luhrmann’s much-loved debut film
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: 1995’s Blue Murder, a big, brassy story of nasty crooks, vicious cops,