Don't be so conciliatory! James Robert Woods' unhinged feature debut (originally titled 'Moonrise Over Knights Hill') reveals a world of Australian privilege crashing with reality. The cast includes Luke Jacobz,
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Jo Heims, who penned Play Misty For Me (pictured above),
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1978 Australian-shot drama Because He’s My Friend, starring Karen Black,
The Sydney Film Festival always offers up a diverse and fascinating array of features, docos and events…and this year is no different. After a stroll through the extensive 2026 programme,
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Martin Scorsese’s bloody, blistering masterpiece Raging Bull starring
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the engaging based-on-fact heartland drama Rodeo Girl, starring Katharine Ross, Bo
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Fatherland is not only about the past. It is a warning about the cyclical nature of history and the dangers of forgetting.
Who would have known that Gus Van Sant’s dark comedy Dead Man’s Wire, his first film in seven years, would be one of the biggest surprises at the Venice Film
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer/director Christopher Cain (pictured above left), who helmed Young Guns, The
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the absorbing true crime thriller Citizen X, starring Stephen Rea, Donald