by Dov Kornits
“Starting the Port Adelaide Diversity & Inclusion Film Festival is driven by the desire to address the lack of diverse content and representation in the film industry,” says Yogi Devgan. “It’s not only a commitment to fostering diversity but also a platform for showcasing stories and voices that might otherwise go unheard.
“By organising this festival, we’re creating a space where filmmakers from various backgrounds can share their perspectives, and audiences can experience a wide range of narratives and cultures. It’s an excellent way to challenge stereotypes, promote inclusivity, and celebrate the richness of diversity in filmmaking.”
Practicing what he preaches, Devgan recently completed the 30-minute film A Silent Escape, his first shot in India. The powerful film has been selected in five film festivals so far, and won three awards.
“This short film stands apart from my other works due to its unwavering commitment to shedding light on pressing but often overlooked issues surrounding child trafficking and women’s safety in India,” he says. “While my previous films have explored various themes, this project is particularly distinctive because it tackles the grim realities faced by vulnerable individuals, especially children and women, who become victims of trafficking and violence. By delving into these harsh and underreported realities, the film seeks to create awareness and provoke much-needed conversations about these critical issues. It is an earnest attempt to bring to the forefront the very real struggles and injustices that persist in India, aiming to ignite change and inspire collective action to protect the rights and well-being of those who are most vulnerable in society.”
One of the world’s biggest film industries, with one of the world’s biggest diasporas, Indian influence is quickly becoming much more visible in Australian film production.
How was Devgan’s experience? “In terms of organising the project, I had already secured my first assistant director before heading to India, and I was in the process of writing the script during my journey there. Casting proved to be a relatively straightforward process as we engaged the services of a casting agent. Additionally, my personal connection to India, having been born here, provided me with a valuable network and familiarity with various locations, which made the logistics of the shoot much more accessible. Overall, it was a fantastic experience, and I’m eager to continue exploring the world of filmmaking in India.
“I have aspirations of creating a feature film in this vibrant and culturally rich country, and I wanted to gain some insight into the working culture by starting with a short film project,” he continues. “My experience shooting in India has been quite fulfilling. I thoroughly enjoyed collaborating with the Indian crew, and it was impressive how efficiently we managed to complete a 30-minute film in just five days of shooting.
“The film crews in India and Australia both bring their unique strengths and characteristics to the table. In India, I found that the crews work exceptionally hard and are deeply passionate about filmmaking. There’s a genuine love for the craft, and this enthusiasm often translates into a dedicated and committed work ethic.
“One notable difference is that, in some cases, Indian film crews might be working with older technology or equipment compared to what you’d find in more developed film industries like Australia. However, what sets them apart is their resourcefulness and ability to make the best out of what they have. They have a knack for improvisation and finding creative solutions to technical challenges, which can be quite impressive.
“In Australia, on the other hand, you might find more access to cutting-edge technology and a well-established infrastructure for filmmaking. Crews in Australia often benefit from the latest advancements in film production, which can streamline processes and provide a high level of technical expertise.”
A Silent Escape is a world away from what many have come to expect from India, and more specifically Bollywood.
“The subject matter of the film, focusing on real issues like child trafficking and women’s safety, has a significant place in India’s filmmaking landscape,” Devgan says. “India has a rich tradition of cinema that addresses social issues, and there is a receptive audience for films that tackle such important topics. In fact, several Indian films and series, including Delhi Crime, have dealt with similar issues and have been both critically acclaimed and commercially successful.
“Filmmakers from various backgrounds, whether they are Indian or outsiders, have the potential to create impactful and resonant works on these subjects. It’s not limited to nationality but rather the sensitivity, authenticity, and storytelling skills of the filmmaker that matter most.
“However, an outsider making such a film should approach the subject matter with care and a deep understanding of the cultural and social nuances involved. Collaborating with local talent, experts, and organisations can help ensure that the portrayal is accurate and respectful.”
Currently pitching A Silent Escape as a feature length project, which would result in a far biggest impact, Devgan is optimistic that he can make his goal a reality. “The success of the short film serves as a strong proof of concept, and I believe in the potential of the story to resonate with audiences on a larger scale. With dedication and persistence, I hope to secure the necessary support and resources to bring the feature film to life. It’s an exciting journey, and I look forward to seeing where it leads.”
Bringing his two worlds together, Devgan is confident that his work in Adelaide with the Port Adelaide Diversity & Inclusion Film Festival and his own filmmaking goals will result in a healthy and prosperous film movement.
“Adelaide has a growing and vibrant creative community, including filmmakers, actors, and production professionals. The city offers a unique and picturesque backdrop for various types of film projects, from indie films to commercials and documentaries.
“In recent years, Adelaide has made efforts to attract film production through incentives and support programs. The South Australian Film Corporation (SAFC) plays a significant role in fostering the local film industry by providing funding, resources, and support to filmmakers and production companies.
“Securing funding for film projects can be a competitive process, but with determination and a compelling vision, filmmakers often find success in Adelaide. Leveraging local resources, collaborating with industry peers, and seeking out grants and sponsorships are common strategies for obtaining financial support. This is what I am working towards at this point of time.”
