I Used To Be Normal: A Boyband Fangirl Story

November 18, 2018

Australian, Documentary, Review, Theatrical, This Week Leave a Comment

Entertaining and insightful, this is a must-see for anyone with an interest in celebrity and the subtle (and not so subtle) workings of fandom.
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I Used To Be Normal: A Boyband Fangirl Story

Robert W. Monk
Year: 2018
Rating: PG
Director: Jessica Leski
Cast:

Elif, Daria, Sadia, Susan

Distributor: Madman
Released: November 22, 2018
Running Time: 96 minutes
Worth: $15.00

FilmInk rates movies out of $20 — the score indicates the amount we believe a ticket to the movie to be worth

Entertaining and insightful, this is a must-see for anyone with an interest in celebrity and the subtle (and not so subtle) workings of fandom.

Entertaining and insightful, this is a must-see for anyone with an interest in celebrity and the subtle (and not so subtle) workings of fandom.

Taking a clear-eyed look at obsessive tenancies and pop music, Jessica Leski’s illuminating feature documentary is a moving, poignant and often very funny detailing of what it means to be a die-hard fan. Tracking the stories of four women separated by age, background and location, the film examines the various ways being a fan has helped to shape and inform them.

At points these obsessions with Take That, Backstreet Boys, One Direction and The Beatles resemble full-blown addictions, and hearing the stories of former or ‘recovering’ fan girls highlights the all-consuming psychological processes at work.

Leski shows a deft touch in the presentation of such stories, and doesn’t let things get too dark or despondent. The tone is more optimistic and energised, even when the realities of life become sharply intense.

That is certainly the case with former One Direction mega-fan Elif, whose self-referencing lament and subsequent capture on viral video forms part of the film’s title. The doco sympathetically looks at how she has to come to terms with dealing with growing up and how life isn’t really like it is in the pop songs. This, plus the disapproval of her less than understanding parents brings in a strong dramatic edge to the film.

Take That – and specifically Gary Barlow – fan Daria offers an analytical examination of the whole fan-girl experience, bringing her skills as a brand strategist into play when designing a boy-band-101 lesson. This and other amusing anecdotal material ensures that the film maintains an optimistic and, ultimately joyful, path.

Sydney based Daria, also has the best line in the film. When recounting how she understood she was gay and also a devotee of the pop singer she comments, “I wasn’t in love with Gary Barlow, I wanted to be Gary Barlow.”

The film also hears from The Beatles fan Susan, who provides not only a story from the dawn of pop but also a look at the context of gender roles and how pop music can open up the world and provide a different way of looking at things.

Backstreet Boys fan Sadia is the fourth star of the film, offering her experience as a fan and how it impacted on her relationship with her conservative and religious family.

After hearing all of the stories we begin to realise that being a die-hard fan – particularly of the screaming and crying hysterically variety – acts as a catharsis for questions of identity usually asked before and during adolescence. Belonging to a tribe, singing along to ear-worms and rehearsing dance moves are all ways to recognise and reassert one’s value and self-image.

Entertaining and insightful, this is a must-see for anyone with an interest in celebrity and the subtle (and not so subtle) workings of fandom.

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