With award winning short films on her resume, a history in acting on Australian TV, and a feature film directorial debut just around the corner, AFTRS Master of Arts Screen:
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: actor turned director Keith Gordon, who helmed The Chocolate War, A
Picking up the Audience Award at SXSW Sydney, writer/director/producer Sam Hayes’ debut Pools is the cinematic equivalent of taking a refreshing dip on a sweltering summer day. And meeting Hayes
After quietly freaking out brave audiences with 2024’s A Grand Mockery (which premiered at Sitges to everyone's surprise), idiosyncratic Aussie writer/director Adam C. Briggs returns with another transgressive eye-opener in
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: late director Chuck Russell, who helmed A Nightmare On Elm Street
After a successful career as an actress, New Zealand-based Nat Boltt turns director with the warm and winning Holy Days, which follows three nuns (Judy Davis, Jacki Weaver, Miriam Margolyes)
Co-writer/producer Fiona Bergin and co-writer/director Fintan Connolly recharge the private eye genre with their compelling Dublin-set thriller Barber starring Aidan Gillen. “I came out of a multimedia course and started
Upon the 25th anniversary streaming release of his blazing 4K restored debut Amores Perros, we look back on the fascinating career of Alejandro González Iñárritu, the pugnacious, outspoken, Mexican-born director
“I’m a genre guy: action, sci-fi, thriller, horror,” says Derek Kolstad, as he sits down in the plush Phoenicia Hotel in Valletta for a chat with FilmInk. Succinctly put, you
As the trailer for Dune: Part Three arrives, leading man Timothée Chalamet and acclaimed director Denis Villeneuve open up - a little - about what awaits audiences in the big screen climax