FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director Jerrold Freedman, who helmed Kansas City Bomber, Borderline, and Native Son.
The co-writer/director brings the righteous vengeance in Saint Clare. What drew you to Don Roff’s novel Clare at 16? How did the project come about as your follow-up to Braid
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director William Dear, who helmed Timerider, Angels In The Outfield, and Harry
“According to the tradition of Chinese ancestral veneration, living family members of the deceased have a responsibility to care for their family’s ghosts, and pay tribute to them by putting
We speak with one of Australia’s most prolific, acclaimed writers [pictured with Trent Dalton] For over three decades, John Collee has been one of Australia’s most respected, in demand writers
Winning the SF3 Pitch Award for 2024, emerging Western Sydney Writer/Actor Mina Asfour is finally getting to make the highly personal The Rectangle Love Triangle. His pitched short film will
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Irene Kamp, who penned The Beguiled and Paris Blue.
Debut filmmaker Raghuvir Joshi makes a major splash with the stunning Sahela, a powerful drama set within Sydney’s large, vibrant Indian community.
Ahead of the release of her latest film, The Fabulous Four, starring Bette Midler, Susan Sarandon, Megan Mullally and Sheryl Lee Ralph, Jocelyn Moorhouse talks to FilmInk about her work
Australian trans filmmaker Kylie Aoibheann (who helmed the highly accomplished shorts Asexy and See for Yourself) drew on her own experiences with gender-affirming surgery for the currently-in-production horror short The