FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Savage Steve Holland, who helmed Better Off Dead, One Crazy
After enjoying great success with the recent cinematic re-release of his 1982 cult fave Going Down, Aussie director Haydn Keenan now dusts off his crazed, highly theatrical, and near-unclassifiable 1987
Australian writer, producer and actor James Ivor is doing the hard yards with his evocative drama Storm Bird, getting the film in front of audiences himself for a series of
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Rudy Wurlitzer, who penned Two-Lane Blacktop, Pat Garrett & Billy
With award winning short films on her resume, a history in acting on Australian TV, and a feature film directorial debut just around the corner, AFTRS Master of Arts Screen:
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: actor turned director Keith Gordon, who helmed The Chocolate War, A
Picking up the Audience Award at SXSW Sydney, writer/director/producer Sam Hayes’ debut Pools is the cinematic equivalent of taking a refreshing dip on a sweltering summer day. And meeting Hayes
After quietly freaking out brave audiences with 2024’s A Grand Mockery (which premiered at Sitges to everyone's surprise), idiosyncratic Aussie writer/director Adam C. Briggs returns with another transgressive eye-opener in
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: late director Chuck Russell, who helmed A Nightmare On Elm Street
After a successful career as an actress, New Zealand-based Nat Boltt turns director with the warm and winning Holy Days, which follows three nuns (Judy Davis, Jacki Weaver, Miriam Margolyes)