You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Sergio Leone’s iconic 1966 spaghetti western The Good,
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Rudy Wurlitzer, who penned Two-Lane Blacktop, Pat Garrett & Billy
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1974 pilot telemovie for the long-running and much-loved TV series
“I’m a genre guy: action, sci-fi, thriller, horror,” says Derek Kolstad, as he sits down in the plush Phoenicia Hotel in Valletta for a chat with FilmInk. Succinctly put, you
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the engaging based-on-fact heartland drama Rodeo Girl, starring Katharine Ross, Bo
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer/director Christopher Cain (pictured above left), who helmed Young Guns, The
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the compelling wilderness thriller Relentless, starring Will Sampson, Larry Wilcox, John
...a damn fine piece of cinema indeed.
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: Scottish director David Mackenzie, who helmed Hell Or High Water, Starred Up,
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: producer and writer James Lee Barrett, who penned Smokey And The