Ever since Santa Claus left a baton under a young Bradley Cooper’s Christmas tree, everything has led to the Leonard Bernstein biopic for the Oscar-nominated actor.
Adrian Powers: Romance is in the Air
The Sydney filmmaker is on a roll with Love is in the Air trending worldwide on Netflix and A Royal in Paradise hitting cinema screens around Australia.
Trailer: Boy Swallows Universe
Boy swallows universe, and universe – via Netflix globally – is about to swallow crime-filled, nostalgia-fuelled coming of ager Boy Swallows Universe
The Crown and the People’s Princess
Elizabeth Debicki and Khalid Abdalla, who play Princess Diana and Dodi Fayed respectively, discuss the final season of Peter Morgan’s popular show.
Teaser Trailer: Boy Swallows Universe
Trent Dalton’s popular book, set in 1980s Brisbane, has been adapted by John Collee (Master and Commander), with Felix Cameron as Eli, and Simon Baker, Anthony LaPaglia, Travis Fimmel, Phoebe Tonkin, Bryan Brown, Sophie Wilde, Deborah Mailman and Ben O’Toole among the supporting cast.
Chloe Domont: Not Here to Make Safe Movies
The writer/director of Fair Play tackles the world of finance in a Post-MeToo world.
Trailer: OneFour: Against All Odds
Straight out of Sydney’s Western Suburbs comes this documentary about the popular hip hop act of the title, who channelled their frustrations into their music, seeing their popularity skyrocket, but also becoming public enemy #1 with NSW police.
Trailer: Leave the World Behind
In case you weren’t already freaking out about the state of the world and the end times, here’s Julia Roberts, Mahershala Ali, Ethan Hawke and Myha’la, as couples facing a cyber apocalypse in Sam Esmail’s (Mr Robot) adaptation of Rumaan Alam’s novel. No doubt, Kevin Bacon done it. Exec Produced by the Obamas.
Netflix Backs Yellowstone in the Outback
The six-part ‘neo-western drama’ with the working title Desert King is currently shooting in Darwin and Adelaide.
Pablo Larraín: Only Pinochet Left Alive
The Chilean director’s latest, El Conde (The Count), is “grotesque, it’s bloody, it’s absurd”, but he also hopes that it’s allegorical for the 1970s/’80s dictatorship of General Augusto Pinochet.