Most of us have spent a fair amount of time scrolling through galleries of stunning nude models, zooming in on the curves and imagining how the real thing would feel.
From period-accurate filters and continuity between takes to performer consent, venue rules and smoke alarms, the humble prop cigarette involves far more production planning than most viewers realise. A cigarette
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Rudy Wurlitzer, who penned Two-Lane Blacktop, Pat Garrett & Billy
The idea of sports betting has been captivating Hollywood for a long time, as it incorporates the thrill of playing the game and the uncertainty of risk. Betting can make
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to M. Night Shyamalan’s box office busting 1999 suspense
I’m putting together the finance plan for a feature I’m co-producing, Circus of the Dead, and I keep coming back to a line that isn’t on the spreadsheet. The audience.
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1991 drama Wild Texas Wind, starring the late, great Dolly
A story that does a total 180-degree turn is, for most directors, absolute gold dust. “That’s one of the things that really, really attracted me,” remarks Argentinian director Pablo Trapero
He was handsome and... er...
For decades, audiences discovered new films through a fairly limited set of channels. Cinema trailers introduced upcoming titles, newspapers published reviews, television carried advertisements, and recommendations from friends helped people