With Oscar winning director Chloe Zhao headed to Australia for a one-night-only in-conversation Vivid Sydney event at The State Theatre, we pay tribute to the quiet powerhouse behind Nomadland, The Rider,
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Alan Rudolph, who helmed Choose Me, Welcome To LA, Remember
Moroccan director Maryam Touzani, 45, and her French-Moroccan husband, producer Nabil Ayouch, 56, are quite the filmmaking couple. The queen and king of Moroccan cinema, we might say. Their award-winning, groundbreaking films are
If conventional wisdom suggests that every hit show is automatically guaranteed a sequel, then BEEF creator/show runner Lee Sung Jin was in no rush to follow up on his 2023 Netflix
Director Julia Loktev discusses her documentary My Undesirable Friends: Last Air in Moscow (Part 1), reflecting on her return to Russia, the decision to film on an iPhone, and her
Debut writer/director Mick Connolly went out on his own with his feature comedy Hands Up Who’d Like a Hug?, shooting for next-to-nothing on an iPhone 13 with a minimal crew
In the 1990s, dictator Saddam Hussein ruled Iraq with an iron fist, living in luxury while his citizens struggled to meet every-day needs. At the beginning of the decade, the
I Swear is the perfectly-titled biopic of John Davidson, a Scottish man who has Tourette syndrome, and who has made such a difference in terms of getting people to understand
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer and director Joan Tewkesbury, who penned Robert Altman’s Nashville and
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the gripping 1973 thriller Terror On The Beach, starring Dennis Weaver,