Thoughtful, meditative, thrilling and beautifully made, Tenzing is truly a film to savour.
The deep, dark ocean turns claustrophobic in a survival thriller where the ideas lie in muddy waters.
… more successful as an exuberant exercise in genre pastiche than as a story that leaves a lasting emotional impression.
Anaïs Mitchell's Tony Award-winning musical Hadestown reimagines ancient Greek myths through a soulful fusion of folk, jazz and New Orleans storytelling, where love, fate and doubt collide.
The film shows the darkest side of humanity but, in Fraser, we also see its best.
The film’s slow pace is central to its achievement ...
… an angry, funny and surprisingly sharp film about ownership, identity, womanhood and the uncomfortable business of deciding what other people need.
... will thrill the small group of hardcore fans who already love it and leave everyone else profoundly bewildertained.
… these sorts of docos actually tend to work best when their format is formulaic and unadventurous, and that’s the case here.
Marre constructs the film out of light, almost weightless moments that repeatedly collide with the dead end of history.
… ironic, politically alert and suspicious of every supposedly progressive position.
… a fascinating cinematic experiment as much about the flexibility of spoken language as it is about the nuances of film language.
Its images can be beautiful, uncanny or disturbing, but that beauty often feels slightly suspicious.
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