This year, Cannes critics were largely united in their belief that Andrey Zvyagintsev’s Minotaur and Pawel Pawlikowski’s Fatherland were the best films in the competition. Both films won major prizes,
6.2
Despite the utterly amazing performance from the film’s young star, Karla is rather patchy, austere and lacks resonance …
9.2
… quite literally the old, familiar Jarmusch that audiences remember from the 1990s.
5
… a lack of any personality or unique perspective.
Following up his impressive debut Sequin in a Blue Room, Samuel Van Grinsven co-writes and directs this moody ghost story starring Dacre Montgomery, Vicky Krieps and Sarah Peirse.
9.5
...an inspired, quietly mesmeric work...
He may be Aragorn to the masses, but Viggo Mortensen is now shifting to writing and directing, first with the hard-hitting Falling, and now with western The Dead Don't Hurt,
Actress Vicky Krieps and writer/director Margarethe von Trotta explore the poetic life of one of Austria’s greatest writers.
The Austrian filmmaker on her latest, Corsage, and what it means to portray a complex and imperfect woman who was mostly known for her physical flawlessness.
… funny, tragic, and ultimately a rebellion …