This year, Cannes critics were largely united in their belief that Andrey Zvyagintsev’s Minotaur and Pawel Pawlikowski’s Fatherland were the best films in the competition. Both films won major prizes,
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Fatherland is not only about the past. It is a warning about the cyclical nature of history and the dangers of forgetting.
Before Thursday’s announcement of the 79th official programme, Cannes artistic director Thierry Fremaux had warned that Hollywood studios no longer want to send their tentpole films to the festival. Essentially,
You have possibly encountered very narrow videos on Instagram that leave almost 90% of your screen height empty, and of course, are very wide. This is something that has become