This year, Cannes critics were largely united in their belief that Andrey Zvyagintsev’s Minotaur and Pawel Pawlikowski’s Fatherland were the best films in the competition. Both films won major prizes,
8.2
… deliberately controlled, almost austere.
The Austrian filmmaker on her latest, Corsage, and what it means to portray a complex and imperfect woman who was mostly known for her physical flawlessness.