Host of ABC Classics programme Screen Sounds, and one half of popular soundtrack podcast Art of the Score, Prof. Dan Golding is an authority on film music and the role
There is nothing like seeing Maurice Ravel’s ‘Boléro’ performed by a live orchestra, even if you are not a classical music buff. But who is the man behind this 17-minute
4.8
… while The Life Apart’s warts and blemishes mainly exist within its backwards moral fable, the actors and characters’ small crescendos within the film are enough to give it a
10
... immediate and punchy.
Parasite's maestro Jae-Il Jung discusses collaborating with Bong Joon-Ho and both of their approach to composing. With a slew of credits to his name, Parasite’s Jae-Il Jung is quickly becoming
9
… raw sonic bliss.
Music-licensing platform Melodie’s AI search tool (powered by Cyanite) allows filmmakers to find perfect pieces of human-made music. Melodie – founded by a family of Australian sound designers and composers,
Only in their twenties, Abigail Barlow and Emily Bear scored the gig of a lifetime, to write all of the songs for the highly anticipated Moana 2. This was off
Ever since Santa Claus left a baton under a young Bradley Cooper’s Christmas tree, everything has led to the Leonard Bernstein biopic for the Oscar-nominated actor.
One of Australia's leading composers, Rafael May (Ghosthunter, Hearts and Bones), explains his approach to scoring the blockbuster series, which was recently renewed for a second season.