Year:  2020

Director:  John-Paul Davidson, Stephen Warbeck

Rated:  PG

Release:  May 13, 2021

Distributor: Limelight

Running time: 96 minutes

Worth: $16.00
FilmInk rates movies out of $20 — the score indicates the amount we believe a ticket to the movie to be worth

Cast:
Ciaran Hinds, Stephen Dillane, Maiwenn

Intro:
… lives in a shadow of Jacques Tati and Buster Keaton with its silent movie slapstick, but glows in the warmth of the French countryside.

The unnamed titular character of ‘The Man in the Hat’ witnesses a possible crime and flees the scene in his Fiat 500, while five goons chase him in their Citroen Dyane.

However, this languid car chase serves as the inciting incident for a blissful travelogue of French countryside. Almost entirely bereft of dialogue, this physical comedy is wholly crowded with incident, as the protagonist (Ciaran Hinds) encounters various eccentric characters in unusual situations. As a range of distinct figures frequently re-appear, the presence of the man in the hat seems to have an uplifting effect on them.

For example, a character credited as Damp Man (Stephen Dillane) is perpetually wet and despondent to a suicidal extent. However, each time the man in the hat meets him, Damp Man’s mood gradually becomes more jovial, as well as his clothes drier. In this way, visual cues and mise-en-scene symbolise a shifting atmosphere of positivity and the effect of kindness from strangers.

These vignettes provide a Fellini-esque sensibility, as the film canvasses aspects of European culture through evocative landscapes, as well as scenes of bull-fighting and enjoying local cuisines. Meanwhile, amusing moments are interspersed – such as mistaken identity, spilling food and losing a shoe – all of which instil an unpredictability to the film that enlivens the experience. Not only this, lively musical interludes steer the film’s atmosphere, as jazz bands on the street bring people together and furnish affection and kindliness.

Of course, these disparate scenes are all connected through the prism of the man in the hat, as Hinds utilises facial expressions alone to communicate emotions and feelings. In a performance reminiscent of Mr. Bean, Hinds is adept at conveying a clumsiness in compromising situations, as wide-open eyes scream across his face, but he also showcases affability through a gentle smile as acts of generosity from him and strangers typify the film.

The Man in the Hat lives in a shadow of Jacques Tati and Buster Keaton with its silent movie slapstick, but glows in the warmth of the French countryside. As each character exudes a big-hearted generosity, a soft tenderness underlies the smile-inducing humour of the film.

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