Fumi Nikaido, Ryo Yoshizawa, Aoi Mrikawa, Shuhei Uesugi, Sumire
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…despite the heightened reality of some scenes, there’s still a truth that will resonate…
Teen angst remains a bedrock of the high school movie. Whether it be tackling first world problems in Ferris Bueller’s Day Off or a coming of age tale in Lady Bird, teenagers can be found lamenting their plight at the hands of teachers or adults, who just don’t get them.
Adults are largely absent in River’s Edge, the latest film from Isao Yukisado. Their lack of presence becoming a metaphor for how much of a part they play in the lives of the film’s protagonists. Based on an early ‘90s Manga by the same name (and sharing the name and many of the themes with the cult 1986 Tim Hunter film starring Keanu Reeves, Ione Skye, Crispin Glover and Dennis Hopper), the film charts the interwoven lives of a group of students – all of them deliberate stereotypes – as they wrestle with a cascade of problems inside and outside of school.
The main focus is on Haruna (Fumi Nikaidou) who regularly protects Ichiro (Ryo Yoshizawa), a closeted gay boy, from being beaten up by her boyfriend, Kannonzaki (Shuhei Uesugi). In an effort to thank Haruna for help, Ichiro shows her the secret he keeps hidden in the long grass by a river: a rotted corpse which the young man visits in times of trouble. The fetid skeleton ends up symbolising the dark secrets that all the characters hide, whether it is a penchant for violent sex, becoming involved in prostitution or a willingness to commit bloody murder.
This makes River’s Edge sound like a no-holds barred visual fright fest, but these moments are scattered throughout the narrative. For the rest of the time, Yukisado follows the sombre teens as they wax lyrical to each other and an unknown interviewer about the lives they lead and want to lead. Like a Japanese Ken Park there is a never a moment when the audience doesn’t feel like something is going to go terribly wrong.
Despite splashes of gallows humour that lighten the mood on occasion, the film’s bleakness can be tough to wade through. Does that make it a bad film? Not necessarily. After all, despite the heightened reality of some scenes, there’s still a truth that will resonate with those who grew up never understanding why they were told high school would be the best years of their lives. Adults, it argues on behalf of its characters, are only there when things get really rough. Until then, you are left to navigate by yourself without a map.
Filmed in Academy ratio – giving the whole thing the feel of a demented after school special – and seasoned with suitably melodramatic performances from its cast, River’s Edge is the kind of film that will make you want to comfort its characters, whilst making you feel relatively grubby at the same time.