Laura Vandervoort, Ted Atherton, Stephen Huszar, Ben Hollingsworth, Phil Brooks
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…a solid, engaging horror remake with an unapologetically over-the-top tone that slips frequently from the visceral to the farcical and back again.
The Soska Sisters, comprising Canadian identical twins Jen and Sylvia, have been notably absent from genre filmmaking for a little while. Certainly, they directed the slasher sequel See No Evil 2 in 2014, but their last original work was body modification-infused, Katherine Isabelle starrer, American Mary in 2012. It’s fitting that their return is a remake of a work by another bonkers Canadian, David Cronenberg and his 1977 body horror Rabid.
To be blunt, Rabid is far from Cronenberg’s best work, making it perfect for the remake treatment and the Soskas rise to the challenge, bringing their comic book-esque sensibility to the proceedings to mostly positive results.
Rabid tells the tale of Rose (Laura Vandervoort), a timid woman who has issues about her appearance and seems unable to break into the world of fashion design. After Rose gets into a terrible accident, she is hideously disfigured, and pretty much thinks her life is over until Dr. William Burroughs (Ted Atherton) offers to give her a radical treatment, on the house.
Post operation Rose looks and feels fantastic, imbued with a fresh face, new found confidence… and a new hunger that seems impossible to sate. From there Rabid kicks off in splattery style, featuring a bunch of engaging gore and body horror moments that will likely have all but the most hardy audience members squirming.
It should be noted the Soska Sisters are not trying to ape Cronenberg’s style at all. Whereas Dave’s vision was icy and slowburn and full of slow building menace, the Soskas’ take is more like an adult comic book. All the characters are broad and just this side of camp, with muscular hunks, heavily accented fashion designers, bitchy models and scientists that feel one stiff drink away from cackling at the heavens, roaring, “it’s aliiiiiiive!” Cronenberg’s stubby armpit stinger has been replaced with a lengthy, whipping pit-tentacle and the overall story is generally bigger and goofier, although in a mostly entertaining way.
Ultimately, Rabid is a solid, engaging horror remake with an unapologetically over-the-top tone that slips frequently from the visceral to the farcical and back again. If you can forgive the occasional ropey moments where the Soskas bite off just a little more than they can chew, and you like your movies with a bit of body horror, you’ll likely find yourself foaming at the mouth over Rabid.