Sarah Gaul, Marshall Campbell, Zoe Carides, Terry Serio
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…Hot Mess is a warm and wonderful work from a very exciting new voice in Australian comedy.
Australia is busting at the seams with talented young filmmakers creating content for TV and the web, all off their own steam, and with seemingly little financial reward. Though high quality material is abundant, much of this work fails to break through into the mainstream, which is, to put it mildly, a damn shame. Hopefully, the utterly delightful comedy, Hot Mess, will buck the trend and capture hearts on the large scale that it truly deserves.
Written and directed by Lucy Coleman (whose web series, On The Fringe, is online now), this thoroughly contemporary tale of love, desperation, and misplaced priorities has the smarts and savvy to make its non-existent budget an instant non-problem, and even a strange kind of strength.
At the centre of this finely judged piece of comedic economy is 25-year-old Loz (Sarah Gaul is an absolute revelation here, expertly navigating a difficult but truly loveable character who bounces all over the emotional map), a burgeoning writer who seems intent on sabotaging her own success. Hotly touted to be awarded with a coveted writer-in-residence gig at a theatre run by the no-nonsense Greg (a nice turn from Sydney acting school godfather, Terry Serio), the talented Loz constantly jeopardises her chances by coming up with increasingly graphic and confronting feminist-minded material. Harangued by her concerned and disapproving mum (well played by Zoe Carides), the hopelessly adrift Loz sees an anchor in Dave (the gifted and charismatic Marshall Campbell), a nice guy who might just be the answer to her romantic dreams. Unless he’s not…
Cleanly but imaginatively shot by DOP, Jay Grant, and boasting a just-right musical score by Jack Hambling and Tom O’Dea, Hot Mess really sings when it comes to performance and script. Lucy Coleman’s dialogue is loopily of-the-moment, but it never feels cloying or contrived. Her characters speak like smart, thoughtful young people do in “real life”, and the creation of such pitch-perfect dialogue is no mean feat indeed. It’s helped to no end by the actors speaking it, all of whom ring and sing with wit and authenticity. Effortlessly current but undeniably timeless, Hot Mess is a warm and wonderful work from a very exciting new voice in Australian comedy.