Daniel Isn’t Real
Miles Robbins, Patrick Schwarzenegger, Mary Stuart Masterton, Sasha Lane, Hannah Marks
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Sometimes funny, sometimes tragic, always utterly compelling, it’s a reminder that genre films don’t need to be empty-headed regurgitations and that supernatural themes can resonate with more grounded concepts.
Imaginary friends and horror movies go together like beer and pizza, wine and cheese or pingers and threesomes, they’re just a great match. You can trace an arc through genre history, from The Exorcist (1973) to The Shining (1980) to more modern gear like The Conjuring (2013) and The Babadook (2014), and more examples that we simply don’t have the time and space to get into. Something about the notion of a child having a relationship with someone or something only they can see is inherently fascinating, and more than a little creepy. Daniel Isn’t Real, from the wonderfully named director Adam Egypt Mortimer, brings a fresh take to the idea, and delivers an effective, thrilling horror movie to boot.
Daniel Isn’t Real focuses on Luke (Miles Robbins), a pleasant but troubled young man, who is finding the stress of college and helping care for his mentally ill mum, Claire (Mary Stuart Masterton) is all a bit too much. Just when he reaches what appears to be his breaking point, his childhood imaginary friend, Daniel (Patrick Schwarzenegger) steps back into the picture, all grown up and ready to help Luke be all that he can be. But after a honeymoon period where Daniel helps Luke with relationships and standing up for himself, his suggestions become demands, and he begins to get possessive and violent.
The film succeeds on two levels. Firstly, the script is a cracker, digging into a rich vein exploring mental illness, masculine identity and the idea of artistic inspiration as a kind of madness. Secondly, the performances from everyone, but particularly Robbins and Schwarzenegger (and yes, that’s Arnie’s kid), are very good indeed. Luke’s dorky twitchiness pairs beautifully with Daniel’s almost sensual arrogance, making their relationship the black beating heart of the flick. Mary Stuart Masterton also brings the goods as Luke’s mum, portraying a character who is fascinatingly bowed but unbroken by the demons of her mind. Ironically, the dissection of real world themes is so deftly handled, it’s almost a pity when the horror arrives in earnest, although that too is skillfully executed, if occasionally a tad familiar.
Daniel Isn’t Real is a low budget horror flick with a lot on its mind. Sometimes funny, sometimes tragic, always utterly compelling, it’s a reminder that genre films don’t need to be empty-headed regurgitations and that supernatural themes can resonate with more grounded concepts. If that sounds like your jam, check it out and bring some friends, both real and imaginary.