Year:  2018

Director:  Don Argott

Rated:  15+

Release:  February 24, 2019

Running time: 101 minutes

Worth: $14.00
FilmInk rates movies out of $20 — the score indicates the amount we believe a ticket to the movie to be worth

Cast:
Dan Reynolds, Tyler Glenn

Intro:
...earnest...

Imagine Dragons front man Dan Reynolds was born into the Mormon Church and was raised believing that homosexuality was a sin and therefore an impediment to reaching the afterlife.

As a result of this doctrine, the suicide rate amongst young gay Mormons has been escalating over the last decade, calling into question the condemnation of gay women and men by the Mormon Church, who, once they come out, are expected to live celibate because the Mormon Church believes it’s OK to be gay, you just can’t ever act on those feelings.

When Dan Reynolds is written to, by numerous fans of his music, many tell stories of being gay and Mormon and struggling to survive within the LDS Church. Reynolds sets about organising a rock concert in Orem, Utah called Loveloud, that’ll spotlight the issue. He invites the participation of the lead singer of the band Neon Trees, Tyler Glenn, who’s also a Mormon and was excommunicated from the church for being gay.

Focusing on the lead up to the Loveloud festival, Reynolds promotes the concert on local radio and discusses his concerns about the local opposition to organising and staging the concert, as he awaits an official response from The Mormon Church regarding the event and moving forward, whether it would be open to altering its doctrine on the treatment of LGBTQ+ individuals.

This is a fairly earnest documentary and Reynolds’ heart seems in the right place, but there’s a deodorised sheen to the treatment of the topic, most likely because it’s clearly targeted at Mormons, so it doesn’t seek to offend anyone who is in the LDS Church. Being largely non-confrontational and just focusing on Reynolds, who is a recognisable Mormon-friendly face, it feels odd then, when Tyler Glenn’s story (which seems to strike more succinctly at the heart of the documentary’s themes) shows someone who is way more invested in the issue, having experienced excommunication from the Mormon Church. Additionally, Reynolds’ wife, Aja Volkman, discusses her conversion to Mormonism in order to marry Reynolds (something that resulted in a number of her gay friends boycotting their wedding).

One wonders, why aren’t these people a larger part of this documentary? Why is a wealthy straight, white rock star selling the urgency of this gay rights issue, while people with actual ‘skin in the game’ aren’t?  Granted, that’s a cheap shot because ultimately Reynolds acted on his sense of moral justice and did something, anything, in order to raise awareness of the issue. It’s enjoyable on that level, though ultimately it feels awkward how mawkish the film plays at certain times, like the anodyne slick of the Hillsong Channel or an ethereal Coldplay concert that won’t ever end.

That said, it’s undeniable that every fight for rights needs an ally, and it’s admirable that he’s intervening on an issue that Dan Reynolds can bring some awareness to.

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