These films join the hundreds of Oscar® nominated and award winning films that, over the past two decades, have used a variety of Blackmagic Design digital film cameras, DaVinci Resolve editing, grading, visual effects (VFX) and audio post production software, and other film creation products. 2023 nominees using Blackmagic Design products include more than 20 other films across the technical, documentary, short film, international feature film and animated categories.

Some of the Oscar nominated films that used Blackmagic Design gear during production include:

* Argentina, 1985 DIT Martin Bendersky used DaVinci Resolve Studio for on set grading;
* Avatar: The Way of Water completed production using Teranex AV, Smart Videohub 12G 40×40, DeckLink 8K Pro, UltraStudio 4K Extreme 3 and ATEM 4 M/E Broadcast Studio 4K;
* The Banshees of Inisherin DP Ben Davis, BSC used Blackmagic URSA Mini Pro 12K for select shots; and
* Everything Everywhere All at Once DIT Mathew Conrad used DaVinci Resolve Studio for on set grading.

Some of the nominees that used DaVinci Resolve Studio during post production include:

* All the Beauty and the Bloodshed graded by Nat Jencks of PostWorks New York;
* Argentina, 1985 graded by Luisa Cavanagh of Quanta Post;
* Avatar: The Way of Water graded by Tashi Trieu of Lightstorm Entertainment;
* Babylon graded by Matt Wallach of Company 3;
* Babylon Assistant Editor Ryan Chavez used DaVinci Resolve Studio for title treatment and early color passes for select sequences. The editorial team also used the UltraStudio 4K Mini for on set projection and editorial work;
* The Banshees of Inisherin graded by Adam Glasman and onlined by Guilhem Coulibaly at Goldcrest Post with on set work and dailies color by Cinelab Film and Digital;
* The Batman graded by Philip Beckner of Fotokem;
* Black Panther: Wakanda Forever graded by Tom Poole of Company 3;
* Elvis graded by Colorists Kim Rene Bjørge and Kali Bateman and Supervising Colorist Brett Manson;
* Empire of Light graded by James Slattery of Company 3;
* Everything Everywhere All at Once graded by Alex Bickel of Color Collective;
* Fire of Love graded by Steven Mercier of Post Moderne;
* How Do You Measure a Year graded by Robert Arnold of RDAcolor;
* Living graded by Joseph Bicknell of Company 3;
* Navalny graded by Luke Cahill of Different by Design;
* Stranger at the Gate graded by Kath Raisch of Company 3;
* TÁR graded by Tim Masick of Company 3;
* Top Gun: Maverick graded by Stefan Sonnenfeld and Adam Nazarenko, second colorist, both of Company 3;
* Triangle of Sadness graded by Oskar Larsson of Tint;
* The Whale graded by Timothy Stipan of Company 3; and
* Women Talking graded by Mark Kueper of Picture Shop.

About Blackmagic Design
Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com/au/.

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