FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: writer, producer and director Joe Camp, who created the beloved family film
In honour of summertime, Stephen Vagg revisits the movie that spawned the beach party genre, 1963’s Beach Party. I remember when I first heard about the phenomena that was the
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: Australian screenwriter Shaun Grant, who penned Snowtown, Nitram, Penguin Bloom and Jasper
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: writer, producer and director James B. Harris, who helmed The Bedford Incident,
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: the late Kris Kristofferson, who starred in Cisco Pike, Pat Garrett &
MIFF’s Bright Horizons Award Winner is Hybrid Cinema – a Canadian film in love with Persian cinema, which offers a whole new approach to filmmaking diaspora. We need to use
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director Karen Arthur, who helmed Legacy, The Mafu Cage and Lady Beware.
FilmInk salutes the work of creatives who have never truly received the credit they deserve. In this installment: director Larry Peerce, who helmed The Incident, Two-Minute Warning and The Other
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Brian G. Hutton, who helmed Where Eagles Dare, Kelly’s Heroes
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: the late Shelley Duvall, a screen presence without equal who challenged