Opera

Though Larraín’s film fails to present a deep, fully-fleshed Maria, the ghost it offers instead proves, in her grief, a grimly enthralling figure.

… a deeply moving cinema experience.

Director Benjamin Millepied and Producer Rosemary Blight take us through the highs and lows of making the unique Australian film.

The Australian producer is on a romcom roll, with How to Please a Woman still in cinemas, and Falling for Figaro with her regular collaborator Ben Lewin (Sessions) directing, opening