Jamie Henry

Parkway Drive dares to step outside its comfort zone.

For Enda Murray, Irish cinema has travelled a long way from the social realism of the 1970s. Today, it is a more confident, internationally connected industry, unafraid to revisit the

Here, the reality is messier, funnier and considerably more human.

… an angry, funny and surprisingly sharp film about ownership, identity, womanhood and the uncomfortable business of deciding what other people need.

… nostalgic, hopeful and occasionally unsettling …

... real, intimate and irreversible.

The Capital Film Festival will return to Canberra from 21–25 October, bringing five days of international and Australian cinema, ACT premieres, documentaries, filmmaker Q&As and industry events to the capital.

For anyone interested in hip-hop, songwriting, or the strange process of turning a life into art, it is an intimate and genuinely fascinating watch.