Gillian Anderson

Imperfect, indulgent, horny and stylish as all get-out …

Jane Schoenbrun is a director who plunders their personal history more than most. The filmmaker – who is transfeminine, non-binary and uses they/them pronouns – leapt to fame with their

Einbinder and Anderson deserve credit for maintaining the credibility and emotional connection of their characters, anchoring the film despite its dramatic tonal shifts.

This year, Cannes critics were largely united in their belief that Andrey Zvyagintsev’s Minotaur and Pawel Pawlikowski’s Fatherland were the best films in the competition. Both films won major prizes,

Before Thursday’s announcement of the 79th official programme, Cannes artistic director Thierry Fremaux had warned that Hollywood studios no longer want to send their tentpole films to the festival. Essentially,

… bold in conception.

British actor Jason Isaacs has enjoyed one of those rare careers where he’s been able to effortlessly slip between characters parts. This year has already seen him turn up in

… unmistakably gorgeous. However, it’s because of that beauty that the film often portrays poverty as something desirable – a character-building exercise for the elite.

Gillian Anderson, Rufus Sewell, Billie Piper, director Philip Martin and author/subject Sam McAlister discuss Scoop, which explores the story behind Prince Andrew's infamous 2019 interview with the BBC.

Gurinder Chadha’s historical epic that hits close to home.