Fifty years on from its initial release in 1976, Martin Scorsese’s seamy, gritty, ultra-violent masterpiece Taxi Driver remains gloriously unbowed, and just as relevant today as it was when it
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Kathryn Bigelow’s acclaimed Best Picture Oscar winner The
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Jo Heims, who penned Play Misty For Me (pictured above),
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1978 Australian-shot drama Because He’s My Friend, starring Karen Black,
The Sydney Film Festival always offers up a diverse and fascinating array of features, docos and events…and this year is no different. After a stroll through the extensive 2026 programme,
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Martin Scorsese’s bloody, blistering masterpiece Raging Bull starring
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Lee H. Katzin (pictured right with actor Barry Morse), who
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the engaging based-on-fact heartland drama Rodeo Girl, starring Katharine Ross, Bo
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Working Dog’s beloved Aussie comedy classic The Castle
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer/director Christopher Cain (pictured above left), who helmed Young Guns, The