9.2
The Plague is in many ways a quietly extraordinary film, exploding massive cultural issues with composed grace.
Charlie Polinger’s crafty directorial debut The Plague started from a deeply personal place. “I went to my parents’ house and I was cleaning out my childhood room,” he tells us
One win and four misses for Aussiewood at the 83rd Golden Globe Awards in Hollywood.
Chris Bentley's period drama, based on a novella by Denis Johnson (Jesus' Son) stars Joel Edgerton, William H. Macy, Felicity Jones and Kerry Condon.
As with the 2024 Venice Festival, when the jury headed by Isabelle Huppert delivered Pedro Almodovar his first top European festival award, the Golden Lion, to The Room Next Door,
When Thierry Fremaux announced the 2025 Cannes programme last month, he was aware that the festival had enjoyed huge successes in recent years, most notably in 2024 with Sean Baker’s
9
… a well-made film, which like its subject matter, feels built to last.
If you blink, you will almost certainly miss Joel Edgerton’s fleeting appearance in Angela Patton and Natalie Rae’s powerful documentary, Daughters. A moving portrait of forgiveness, Daughters traces an eight-year
Since his striking and subdued outlaw romance Ain’t Them Bodies Saints debuted at Sundance, David Lowery has cemented himself as one of the most exciting and versatile American filmmakers. In
… not a bad film, but certainly not a great one.