Paolo Sorrentino speaks about euthanasia, political responsibility, generational dialogue, music, and his continued collaboration with Toni Servillo. What emerges is a portrait of a filmmaker deeply preoccupied with moral dilemmas
8.9
… a funny and mindful romance worth falling for.
The story of 1971’s A Girl in Australia
4.8
… while The Life Apart’s warts and blemishes mainly exist within its backwards moral fable, the actors and characters’ small crescendos within the film are enough to give it a
7
… a painterly quality that’s very easy on the eye.
7.5
… the emotional impact of the film as a whole doesn’t resonate as deeply as it should … It’s almost, but not quite, brilliant.
9.5
… an engrossing and fully realised film …
7.5
… well worth seeing …
A taut Roman police thriller … a brutal film
... predominantly entertaining, part whimsical and part eerie, and the murky brown/green cinematography – like a Caravaggio or a Velasquez come to life – is a treat.