After breaking through with Past Lives, writer/director Celine Song returns with something altogether seemingly more commercial, with Dakota Johnson's matchmaker having to choose between wealthy older guy Pedro Pascal and
… a strong premise, a talented cast and some of the dopiest moments on the big screen in recent memory. It’s a bit of a mess, although not without its
Cooper 'Shithouse' Raiff's Sundance Audience winner sees him play a hype man at the bar and bat mitzvahs for his younger brother’s classmates, when he meets a young mum played
... marginally better than its predecessor in much the same way that being shot through the head is better than being guillotined...