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A lot of the film has the freewheeling individualistic style that Lynne Ramsay brought to her Morvern Callar (2002), but this one is much more ‘Hollywood’ in other ways.
With The Venice Film Festival capturing the cinematic world’s attention once more, we take a look back at the essential annual event’s often chequered history.
… there’s palpable tragedy in The Stranger’s specifics and Adnan’s mission to do good… the ability for audiences to engage will come down to a tolerance for slower storytelling …