Toni Collette, Matthew Goode, Michael Smiley, Suzanne Clement
Smartly written and superbly performed…
Most memorably cinematically distilled in the 1983 comedy classic, Trading Places, the concept of – or rather, questions around – “nature versus nurture” have long fascinated big and small thinkers alike. Is a person’s character primarily formed by what they’re born with, or is it the experiences that one goes through during life that makes a person what they truly are? That query is right at the heart of the quirky and engaging comedy drama, Birthmarked, which doesn’t come up with any definitive answers, and in the process, perhaps proves that there actually aren’t any nailed-down answers to be found. From co-writer, Marc Tulin, and co-writer/director, Emanuel Hoss-Desmarais (who crafted the little seen 2013 thriller, Whitewash, starring Thomas Haden Church), it’s an enjoyably unusual rummage through a big bag of old but always valid ideas.
Eccentric married scientists, Catherine and Ben (played with typical perfectly nuanced abandon by the always on-point Toni Collette and Matthew Goode), are so hung up on the question of nature versus nurture that – under the guidance of the even more eccentric bigwig scientist, Gertz (Ben Wheatley fave, Michael Smiley) – they opt to turn their own family home into a petri dish. Along with their own baby-on-the-way, they also adopt two children from diverse backgrounds, and then set about raising them in a manner directly defiant to the circumstances of their birth: the child of the two scientists is brought up to love and focus on art, the progeny of two less-than-intelligent parents is pushed toward the academic, and the son of two people with serious anger management issues is prodded in the direction of pacifism.
To say that the “experiment” doesn’t go as planned would be an understatement, with the general instability of this oddball family having the greatest influence on the lives of its children. The continuing roll of eccentricities (not to mention the arch narration, 1970s setting, top notch soundtrack, and unashamed intellectualism) make comparisons to Wes Anderson starkly obvious, but Birthmarked remains a thoroughly original charmer, always showing a genuine warmth towards its characters. Smartly written and superbly performed, it cannily shows that the only thing predictable about families is how unpredictable they are.
Exclusively Available to Buy or Rent on Digital Platforms