Known as S.M.A.R.T Chase in the Chinese market, The Shanghai Job is a British-Chinese co-produced thriller that sees Orlando Bloom shirk off the shackles of popular franchises – see Pirates of the Caribbean and Lord of The Rings – in order to reshape himself as bonafide action hero.
Bloom stars as grizzled security agent, Danny Stratton, who has been living at the bottom of a bottle in Shanghai since his last job, a year ago, saw him lose a valuable painting to a gang of professional thieves. For reasons unknown, Danny and his team are given one last chance to redeem their reputation by escorting a valuable artefact from one destination to another. Wouldn’t you Adam and Eve though? The same gang turn up to relieve him of said item, leaving Danny to work quickly to save what’s left of his expiring reputation.
Largely known for his TV work, director Charles Martin (Skins, Being Human) has put together a solid if somewhat silly action piece that sees Bloom charging around barking at people like Jason Statham whilst sporting the bleached hair of a Buffy-era James Marsters. He’s joined in his sprint across the city by a team of fellow security agents, including Full Contact’s Simon Yam. Riffing off the relationships within the Fast and Furious franchise, each member brings their one personality trait to the table that manages to both compliment and aggravate the others in the group. A quick shout out to the dubious Ding Dong (Leo Wu) who spends a large part of the film following a girl using his drone; his cutesy puppy eyes failing to cover the slightly creepy invasion of privacy.
Moving on… Whilst The Shanghai Job is nowhere near to being of the same quality as later instalments of the aforementioned franchise, it does give an indication of the direction the series could be taken should the higher ups wish to pursue it. The acting is definitely a mixed bag, but Bloom seems to be relishing the opportunity to do his own stunts and get his teeth into something a bit grittier.
Perhaps The Shanghai Job’s biggest issue is pacing and an over-reliance on the cliched. Seemingly realising that the S.M.A.R.T. team are running out of breath, screenwriter Kevin Bernhardt (John Rambo) throws in a damsel in distress into the third act which also sees a literal game of catch added to the mix. Presumably because everyone got tired of punching each other.
Derivative of a number of recent actioners, including John Wick, The Shanghai Job is certain to find its niche with a select few. And if all involved are willing to return and embrace the hyper-realistic absurdity of it all, there’s potential for more fun ahead in future installments.