It’s midway through the 2026 Cannes Film Festival when FilmInk meets Japanese filmmaker Hirokazu Kore-eda. The festival has been good to him in the past; he won the Jury prize
Film Festival
Picking up the Audience Award at SXSW Sydney, writer/director/producer Sam Hayes’ debut Pools is the cinematic equivalent of taking a refreshing dip on a sweltering summer day. And meeting Hayes
… if Árru is an unsatisfying family drama, it does at least display genuine originality in its filmmaking
After quietly freaking out brave audiences with 2024’s A Grand Mockery (which premiered at Sitges to everyone's surprise), idiosyncratic Aussie writer/director Adam C. Briggs returns with another transgressive eye-opener in
“I’m not naturally a singer or musician,” says Rami Malek. “Truly, I’m not a musical person, so it takes a hell of a lot of work.” This may come as
… despite all its strengths, the film leaves a slightly familiar aftertaste.
Radelaide's own, 21-year-old filmmaker Alice Maio Mackay's 7th (!!!) feature film stars Sara Thompson as a teen who must get to the bottom of strange occurrences that may have something
Irish filmmaker Gar O’Rourke speaks about documenting life in Italy’s Cinque Terre, where tourism, tradition and preservation exist in constant tension.
With her short film Morning Afternoon Night, Russian born, Perth based filmmaker Dasha Melnik has captured the emotional life of a new immigrant. You studied as a cinematographer, and this
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