You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to the beloved family classic The Wizard Of Oz.					
                                Fantasy
						FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Bert I. Gordon (pictured above, far right), who helmed The					
                                
						You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to one of the most pretentious films of all					
                                
						FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: special effects and make-up artist and director John Carl Buechler, who					
                                
						FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Paul Dehn, who penned Goldfinger, The Spy Who Came In					
                                
						FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Kevin Connor, who helmed The Land That Time Forgot, At					
                                
						Revelation Perth International Film Festival’s director, Jack Sargeant fills us in on the philosophy behind one of the most unique film festivals in Australia, nay, the world! Congratulations on this					
                                
						In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1972 horror flick Gargoyles starring Cornel Wilde, Jennifer Salt, Scott					
                                
						A feature film adaptation of David Walliams’ 2019 book FING is currently in production at Screen Queensland Studios, with a cast that includes Taika Waititi, Mia Wasikowska, Walliams, Richard Roxburgh,					
                                
						As raw action spectacle, it is fantastic, with a sense of size that highlights what the ‘Filmed for IMAX’ signifier should look like.					
                                
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