FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: screenwriter Jo Heims, who penned Play Misty For Me (pictured above),
Classics Worth Re-Catching
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Martin Scorsese’s bloody, blistering masterpiece Raging Bull starring
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Lee H. Katzin (pictured right with actor Barry Morse), who
Aussie director Haydn Keenan’s 1982 cult fave Going Down – the wild, freewheeling tale of one incredible night out in a grungily glittering Sydney that simply doesn’t exist anymore –
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Jean-Pierre Jeunet’s much adored whimsical French classic Amelie
Now a legend of the Australian film industry, actress Tracy Mann (left) looks back on her 1982 cult favourite Going Down, which is headed back into cinemas with a newly
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: writer, director and actress Barbara Loden, who helmed the little seen
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to the Sandra Bullock-starring floating-astronaut Oscar winner Gravity. Thank
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Alan Rudolph, who helmed Choose Me, Welcome To LA, Remember
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: producer and writer James Lee Barrett, who penned Smokey And The
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