Paolo Sorrentino speaks about euthanasia, political responsibility, generational dialogue, music, and his continued collaboration with Toni Servillo. What emerges is a portrait of a filmmaker deeply preoccupied with moral dilemmas
Paolo Sorrentino has long been fascinated by power in his movies. From chronicling former Italian PM, Giulio Andreotti, in 2008’s Il Divo to the world of PM Silvio Silvio Berlusconi
“Oh shit!” Jim Jarmusch said, clearly stunned, as he received The Venice Film Festival’s top honour, The Golden Lion, for Father Mother Sister Brother, a triptych that features Cate Blanchett,
... predominantly entertaining, part whimsical and part eerie, and the murky brown/green cinematography – like a Caravaggio or a Velasquez come to life – is a treat.